As artists, we often fear that we donāt have a unique style or voice in our art. Itās a concern that is hard to define and style typically evolves over time. Many artists argue that they donāt want the restriction of being subject to one style or message. But who exactly said you have to have the same style? Picasso was successful during his lifetime and he certainly had multiple styles and forms of artistic expression. Despite the change in style, there are still shared qualities in all his work that make it distinctly his.Ā
Let art historians and critics debate over those details. Just make your art. By the virtue of your decision to create it, there will be similarities because all of your art has one thing in common: YOU.
I wonder if the fear of not having a unique voice is an excuse to avoid trying to sell or promote our art? We all have a unique voice, but we have to make art regularly to have it consistently show in our work. And art can take a long time! This is why batching is your friend.
Hey there! š I’m Carrie. Here on Artist Strong, I help self-taught artists with home studios who feel stuck with their art move from wondering whatās next to confidently expressing themselves through unique, original art. To date, thousands have joined the community.
šš½šš½šš½ If you feel like gaps in your learning hold you back from making your best art, sign up and watch my workshop, “How to Create Art from Your Imagination.” Itās completely free, and the link is in the description below.
What is Batching?
Batching is a process inspired by the production line invented by Ford when cars were first being produced. Itās where you take a chunk of time to focus on one kind of task, like writing or painting, to increase your productivity. Research shows that interruptions and context switching slow us down (see the book Deep Work, which Iāve linked below). Choosing one kind of task limits that context switching and helps you get more accomplished.
When it comes to creating Artist Strong content, I will write several articles by hand. Then, Iāll batch typing them up and finally, recording them. Itās way faster than doing those three steps for each individual article.
I also use this to my advantage. If I feel like writing, then Iāll write as much as I can, which hopefully covers the days I donāt feel like writing. It gives me greater flexibility and freedom with my day.
Lanterns being batched, paintings in progress by Carrie Brummer
I regularly encourage artists to work in a series (my video and article Why artists work in series is linked here). Itās a means by which we can dig a little deeper to investigate our voice, and be more conscious of our artistic decisions.
A series is a collection of 5 to 25 artworks that share some kind of connecting thread: it could be a message, the medium, theme, or more.
In the context of art, batching is when you create multiple artworks at once, all following a similar theme or investigation. For example, I once batched a series of small paintings reflecting imagery of Arabic lanterns. Each composition was different, but I used similar colors in all of them.Ā
First I draw out multiple compositions all at once (batching). Afterwards, I would choose one color to work with and then paint it into all of the works in progress (batching again).
There are so many ways batching can help our art.
Lanterns being batched, paintings in progress by Carrie Brummer
How is Batching Helpful to Artists?
1. Consistency and Productivity:
Ā Ā Ā – If you want to sell and exhibit your art, consistency supports this goal. Many people mistake consistency for being stuck with one style for life. Youāre not. But you do need many works of similar style to share and sell together. Batching not only makes this consistency obvious in the work, but it also makes it faster to produce more work.
2. Developing Your Unique Style:
Ā Ā Ā – If you are seeking a unique style and feel like itās still hidden, batching challenges you to stick with an idea, technique, or medium longer than a single artwork. Real learning and growth occur when we stick with something, dig a little deeper, and get more curious about it.Ā
I once painted a series of women from history, all at the same time with a similar color palette. This focus led me to my first series to win a grant and enjoy a solo exhibition. Itās not like a Ford production line where workers do a single task repeatedly. We are not making copies or replicas. Instead, batching is an opportunity to make more art, refine our unique voice, and push our art to new levels.
If youāre ready to make art a priority in your life and want to explore making art in a unique style, I have just the thing. Itās called Self-Taught to Self-Confident, and it will help you move from feeling stuck, wondering whatās next to confidently creating a series of artworks that you can share with loved ones (and even sell).
Choose a time from my calendar here so we can discuss where you are at with your art, where you want to be, and how to get where you want to go.
Three Ways to Use Batching in Your Art Practice
-
Do Your Underpaintings Together:
Ā Ā Ā – I create a monochrome underpainting to guide my application of color and value especially in my portraits. I use raw umber and white paint or gesso. When I have the medium out, Iāll use it on three or more pieces at a time to jumpstart a bunch of art and help me loosen up and get out of my head.
-
Share a Color Palette Across Works:
Ā Ā Ā – If youāre sharing a color palette across the series of works, itās way easier to paint in the unique shade of teal you created, and all of the works at once rather than storing or having to mix the color all over again.
-
Create Multiple Compositions from a Single Image:
Ā Ā Ā – Explore different compositions from a single image. What happens with a vertical versus horizontal frame? What if you crop it differently? This can be a great way to study composition and give you a series of artworks with a clear connecting thread.
Objections
āIām not a production line.ā
One of the complaints and or unspoken arguments I hear is that this is simply the Ford production line. It quietly implies artwork created like this isnāt creative.
A true production line has many workers all doing a single task over and over and over again.
We are not making copies or replicas of a single design over and over again. Nor are we sharing these tasks with other artists to create this work (though this practice was common during the Renaissance). But we can see this as an opportunity to make more art, and better develop our unique voice and style. So, instead of being void of creativity, it may offer exactly the limitations you need to start pushing your art to new levels. Let batching set you free!
Lanterns being batched, paintings in progress by Carrie Brummer
āI donāt want to feel pigeon-holed.ā
Some artists express fears of being pigeon-holed by an idea. And yes, in some ways, you will be when people start to buy your art. A client buys an artwork because they like it. That generally means they will likely want more of the same. But if you have an overarching theme or idea that runs through your work, you still have plenty of room for exploration.
You should be able to generate a community of clients with versatile tastes.Ā
For example, with my series of lanterns I could continue to investigate ideas about the Middle East, or work with travel imagery in general. They both afford me a lot of freedom.
Showing some kind of consistency to your audience breeds trust, and allows you to build relationships with people so they enjoy learning more about you and your art. Batching allows you to create a series of artworks, which galleries do appreciate, as will your potential clients who buy from your website. It means that more than one person can have a love of your Arabic lantern painting and buy one. And they may love it so much, they could come back for something personalized, or larger!
Once Iām tired of my lanterns, I wonāt paint them anymore (and as of this recording and update, my work looks nothing like the lanterns Iāve shared here). But I do have a series of paintings that show my collectors I can develop an idea and work through to completion. It also affords my clients multiple chances to purchase something they enjoy.Ā
Conclusion
Today we talked about batching, how the Ford production may have inspired it but also how using batching can encourage us to dig deeper with the ideas and work we create. Batching might even help us unleash the creativity simmering inside of us!
Batching can significantly improve your productivity and help you develop a consistent body of work. It allows you to explore themes more deeply and helps you maintain a productive art practice. By sticking with an idea, you might even discover new levels of creativity and innovation in your work.
I gave you three ways to use batching and there are countless more.
Have you tried batching your artwork? Letās talk about it in the comments below. How can you incorporate batching into your process and make it work for you? Give it a try and report back here to share your experiences.Ā
Thank you for reading and/or watching!Ā
Remember: proudly call yourself an artist.
Together we are Artist Strong.
I’ve done some batching but mostly when it comes to watercolor backgrounds, and they’re all different
Do you feel it still helps your production?
Yes, I do. It’s a lot quicker to finish them when I do a couple at a time than if I have to put things away and bring them out in between.
That’s a good point. I’m just starting out so I’m learning. I’ve only finished 4 canvases that I would consider selling. All are mixed media but very different.
Batching is helpful when you start to think about selling or promotion your art. It’s ALSO helpful for people who are starting to figure out what they want to say with their art. By pushing ourselves to complete a series of works in groups we have to think a bit more about why we do what we do. I find it helpful on both accounts!
Right now I am trying to figure out the one thing that defines me as an artist. That one thing that will let people know its my painting when they look at it. But I’m really having alot of trouble deciding. I really want a cohesiveness throughout my work.This really helps me. I’ll try “batching” and see how it goes
Hi Jessica, this can definitely be one strategy. Another is to group together works you’ve already made to look at them with fresh eyes and see if you find any connecting threads. I have a post about this topic coming out in the next few months, literally typed it up yesterday! Let us know how batching works?
I absolutely needed to read this today, thankyou so very much!š¤
Excellent! Thanks for popping over here for a read.
I’m not sure you should try to figure it out. Figuring things out is a consciously critical undertaking. Just go with your intuition and then critique your work later. Even conceptual art is rarely pre-planned. You create first, then see the underlying concepts later. Don’t try to do art with a hammer and chisel unless you’re sculpting marble.
I think it will decide for you rather than you deciding it. It will just be and then you will say oh I guess thats my style. At least that’s how I have encountered this happening.
Our art can be a great guide if we listen! Thanks for sharing Nicole.
Iāve started to batch but Iām on four different styles and batching each one What can you advise? I make
Ceramic art
Hi Anna, what do you need advice on? If you have 4 different styles, why not batch the design of each style to make a bunch at a time that fit one style, then work on glazes or the design part of all of them in one go (that share the one style)? Do each style in batches! You could have them at different stages of development so if one batch is drying or cooling off you can be doing the glaze or hand-building/throwing others…
Anna, I also work in clay. My running theme is ‘organic nature’s. I create lots of plant, root based creatures. I also use lots of fine details and textures.
Right now, I am making ‘Hellatubbies’. Babydoll faces surrounded, engulfed by flowers, leaves, etc. The Hellatubbies are easy to batch as I make dozens of flowers, leaves, roots, bugs, etc that are assembled when I have a good assortment.
Because I enjoy them all and am always coming up with new concepts, I have started doing series. This allows me to have a ‘cryptid root creature’s’ series. A ‘Hellatubbies’ series and still have my general theme of organic nature. The great thing is, I can revisit any of my series at any time!
Sounds so cool John thank you for sharing!
I can batch about two pieces. That’s my ADD at work. I set out to create a series of photos of urban power poles. I took 80 photos and deleted 78. The two left I really like! Now onto something else.
Painting more than one of the same theme at the same time is still batching. The point of ALL of my articles is to help everyone be empowered to make artistic choices that are aligned with them as an individual. Glad you know what works for you.
Take more remembering why you threw out 78/80
I had to laugh.. I didn’t know I have been ‘batching’ for years. I love painting the same thing over and over until I’ve reached my goal of either loving or hating it. And besides I have 18 grand children that love them
A lot of times we artists do things we don’t can be used a system for anyone to improve their output. 18 grandkids – wow!
I too have been batching without knowing it for the last 4 yrs since picking up a paint brush and looking into the depths of my half forgotten artistic desires . So batching allows me to explore those depths in detail. Thank you for giving it a name, it is highly appreciated thank you.
Christine I’m so glad you’ve found your art again and that you have naturally found ways to help your creativity blossom.
I didnāt know I was ābatchingā either. I tend to get focused on a particular idea, style, media, or color scheme and primarily create within that framework until Iām tired of it, or something else fascinates me
I find that each path teaches me something new about myself, the media, the techniques, the subject, and anything else you can think of.
That carries with me to the next idea, and the next.
Sometimes I come back and revisit a style or technique. Not often, but when I feel there is more to say or a batch is incomplete.
And no, not everything in any given batch is any good!
Thanks Diana for sharing. I really enjoy hearing other people’s approach and its so rich here in the comments with other ideas, takes, etc. You are now part of that. š
Interesting topic. I too have had a few so-called experts tell me to create a style. They arenāt observant enough to notice I do have a style. Iām versatile. Of course those experts are not artists who are selling their art. Glad I refuse to listen. I do get commissions & I have sells of my numerous styles because I work in watercolor and acrylics. My suggestion is to get a studio open to the public. I listen to what they want. I am interested in whatās happening now & what is all around me.
Thanks for sharing Sylvia.
Another term for batching (which Iāve never heard)
Is ātheme ā or āseries āthese terms are used by professional artists .
Batching has a very naive
amateur feel to it… you may want to switch to some other terms!
Elaine, batching is actually different than creating a series or theme. You can batch gessoing artwork, batch hanging and framing work, batch preparing paints or materials for the work you are about to create… I talk about creating in a series here: https://www.artiststrong.com/why-artists-work-in-series/ and here: https://www.artiststrong.com/body-of-art/
I make Bowl Cozies. I used to do 1, from start to finish, then move on to the next one… VERY time consuming!
Last year, I started ābatchingā, before I ever heard of it.
Now, I cut out 40 batting squares, followed by 40 fabric squares, then match them up, & start āChain sewingā. I save time, & thread.
Sometimes, I also have a theme, while Iām batching. Today, I started a batch of patriotic themed Cozies.
Great idea Laure, thanks for sharing! I love hearing how people with different media apply the idea, it’s so helpful for others who happen upon this conversation š
I love rhe whole article.
Finally somebody you understands me and my expression.
Lioking forward to receiving more articles from you. Thm
Thanks for being here Morgaine!
I am an abstract artist. I make cards, use canvas and cardstock for my designs. Most of the time I will have 3 starting points, such as hearts, 8’s, letters of the alphabet and stars. Some of my past pieces, I’d use several starts but at the moment I use 3 of the same for starts. I prefer hearts and stars. A lot of my pieces start out as part of my art therapy but I normally finish them in whatever mood I’m in – hope it makes sense.
Makes perfect sense to me Danita!
I call batching production work. Have used it in many art forms. Thx for a new think on this technique.
Thanks for sharing Celia!
I began doing African line art painting with my grandson who is 8 ,online with his teacher. My grandson tells me I am now obsessed because I have done about 30 to his 1.
I really do enjoy it .
Good for you!
This is a great idea. Will give it a try. I am doing something sorta similar in a way. I got an idea for a great painting but it contained two (ok three) elements that I need more skills to complete well. So I developed two (or maybe three-not sure yet) other painting ideas that will force me to practice or learn to paint in a more skilled manner, the challenging big project painting parts. That way, when I approach my larger painting, I will have, “faced my giants,” so to speak. This should help give me variety so I don’t get sick of the subject while developing skill. Not to mention I will have three or four things finished, instead of one slightly shaky painting.
Great idea Cynthia do let us know how it turns out! š
I love doing series, not only does it give your art continuity, as an artist it increases you ability and knowledge on the subject. Thank you nice post!
Great points Janet. Thank you for sharing and reading!
I didn’t know this had a name but I do it! Mostly because I am impatient, so I can work on one painting while I wait for another to dry. Plus I waste less paint!
Hi Becca! I do it for the same reason, especially when working on my mandala paintings which are all about color. It’s nice to jump around between them and use the paint up and then have a layer dry for me to work around or on top of!
Didn’t know that I am “batching” ! I agree it’s a great way to use all of your paint, saves time by moving from wet painting to dry painting, and gives continuity in your paintings…using the same size canvas helps also. This is a great way to get ready for an upcoming show, especially if you are like me. I work better and faster when I am in a crunch!
Cynthia, exactly! Thanks for sharing and reading š
Love your post Carrie. Thanks for giving me another way and idea to create my art or to be more creative using the same ideas.
I’m so glad it’s helpful to you Vernese. Thanks for reading and for choosing Artist Strong <3 <3 š
Yes! I always have more than one project going in any given theme or idea.
What a great idea. When I did graphic design in the ‘olden’ days, it was normal to have several pieces of artwork on the go at various stages of production. But with painting or sculpture, it’s been one at a time. Any more than that, I was giving myself grief over having no focus to finish. (I have no idea where that notion has come from!)
This makes so much sense and is very liberating. Thank you.
Melanie I’m so happy to hear you find this idea liberating. That’s exactly what I want for you! <3 Have a lovely day.
What a sense of relief – I have been arguing with myself for a while over a. I havent yet developed one specific style – So i wasnāt sure if I was ready to āgo publicā yet and b. It seems like itās taking me so long to get a body of work together that – maybe Iām not a āreal artistā and am kidding myself and just give up. A little voice inside has kept encouraging me to stay the course and your article was just what I needed to hear to know I wasnāt alone with my doubts and to just keep on going š©āšØ
Karen Iām so pleased to hear it. You will find that voice and it will evolve over time too. Give yourself permission to explore all of you through your art; I guarantee if you do youāll find people who appreciate your work ā¤ļø
Thank you for this article, itās the second time Iāve read it and it gives me a goal and focus for my future paintings. I hope to be able to sell my first one someday soon!
If you persevere John you will achieve your goal. I hope that day is sooner rather than later š
I call my batching Series. I usually do 3pcs. In a group with the same theme or style. It helps me stay focused on an idea or subject.
Batching is not always a series but it can be. A series has a shared theme or concept driving the works. Batching only refers to technical choices, or things like gessoing a bunch of canvases at the same time. The terms definitely have overlap.
I have never heard of this and I can’t wait to try it! It makes so much sense!
Yay Leslie! I’d love to know how it works for you. Keep us posted?
Carrie, your writing is well done and thoughtful/insightful. Many posts are poorly done, so I appreciate yours. Your lantern art is beautiful.
Thanks Debrah, I’m dedicated to providing value to my community and I’m glad you can see that! <3 Thank you for your kind words, taking the time to comment, and being part of this space. š
I recently started working with oil and cold wax medium on Arches oil paper. I tape off 9 5″ squares onto the paper attached to a board and work all 9 paintings at the same time, batching, and find a continuity that would be harder to achieve working individually. Then I suddenly have 9 finished paintings! Due to the similarities, they tend to sell in groups. Bonus!
Exactly! Thanks so much for sharing JoAnne š
Interesting discussion. Sounds like something I may need to try. Iāve worked in so many different medians Iām not sure what I want to do when I grow up! Now that Iām retired, I have the time to explore. Thanks for sharing.
Yay for exploring! enjoy every minute of it Nancy š
I love this article. Took the Archetype test, I am a Many Media Explorer, and also took the link to G. Rubin’s Tendency Test; I am a Rebel. I am not willing to run in one direction only or follow other peoples ideas! Even when several people tell me, they love just that particular type of my artwork – I cannot stick to it!
But – It took a heavy burden off my shoulders to read, quote: “Make your art. By the virtue of your decision to create there will be similarities because all of your art has one thing in common: YOU.” Phew – I have been so frustrated to listen to: ” you cannot be a selling/popular/professional artist, if you do not continue with the same media/style/motif etc over and over.”
I understand fully the importance of batching – but the statement in the article here – You, yourself are the thread of consistency, I did not see untill now. It was my missing link. Gives me hope and excitement to keep creating whatever I want – but in a batch of cause š Whenever I do make something I do not want to turn into a serie – I could just keep out of the shop-window, so to speak.
Hi Lene! So happy to have you here. And YAY for a big aha. How awesome. I hope your path is full of many more wins š
I am an acrylic abstract painter. I now realize that I have been doing ābatchingā without realizing it. I find myself getting almost obsessed with a particular theme or technique and end up with similar yet different paintings. I thought that could be a deterrent to the success of my work, but perhaps that could be a good thing.
My main concern now is how to promote my work successfully. I have been a āpainter-for-personal-pleasureā all my life, but at 77, I am serious about selling it and being a ālegitimateā artist. I would love to hear your suggestions about to I may go about this.
Leila
Hi Leila, thanks for being here and sharing! Definitely not a deterrent, that can help you have more to offer your collectors.
First off, you need to truly define and outline what “legitimate” means to you. How much money do you need to earn to meet that standard? Do you have to show your art in galleries too? What about art markets? That word legitimate can be very pesky because often we have internalized definitions of art we don’t even realize or own up to that impede us from doing the work.
If you can properly outline what YOU want (not what other people tell you, but what you hear your inner artist wanting) then it’s about creating goals and testing. It’s a HUGE experiment. Test different ways of selling and promoting. I suggest you choose one social media platform and go ALL in with it as a way to connect with potential buyers. And understand: this is a long game. This doesn’t happen overnight. It’s about showing consistency so people build trust in you as an artist and a brand and then want to invest in you and your art. It’s about relationship building, too. Ask yourself: how can you show up for the people who would want to buy your art? How can you serve them? (Could be blog posts, videos, daily images of your art, Q&as…). There is no one path. And I encourage you to test, test, test to find YOURS!
Curious Creator. I now know why I have all types of art supplies and play with all. I’ve tried batching but it drives me nuts to have something incomplete. I started my art journey coloring for stress relief. Yes, it absolutely works. Now, my husband tells me I’m out of control. Thanks for this article. I’m not going to wonder what my style.
Good for you Michele! Coloring DOES help for stress, I’m so glad it was a an entry for you into your creativity. Keep making, and do you!
I love this article and all the comments. I never wanted to paint more than one of something, but when I a friend wanted 5 narcissus 6×6’s with my watercolors, I dug in and did all at once. I made 5 drawings of the Narcissus cluster from different views, masked off the flowers and started on the backgrounds. It was amazing how much I learned by “practicing” each step 5 times. – Ellen https://www.etsy.com/shop/EllensArtShop
Thanks so much for sharing Ellen!
So when you are “batching” how many do you consider to be a batch? I’m always trying to explain this to my husband because I clearly have a style but with that being said they are not cohesive. I’m definitely going to try to batch some work for an upcoming art walk. Also when you do this do you do all same sizes or similar sizes and shapes? I typically find my self doing sets or 3-4 and different sizes. Would love to hear thoughts.
Hi Sissie! I think batching can happen with any number of artworks. I’d say 3 or more of anything is batching. It’s up to you how many works you enjoy exploring at a time and how many you decide to create in total! I’ve done it with different shapes and sizes because I use the canvases I have on hand. But I’ve also seen it done with the same sizes, too. There’s truly no right or wrong way to use this strategy, as long as you feel its helping you make more art.
Also – ALL of your work has a connection and that connection is YOU. It’s okay if all the work doesn’t always look the same, we evolve, and our collectors will like that about us too. š
I tried to batch some work since reading this and it ended up looking like three of the same painting just different sizes š I kept trying to change up the colors slightly but just wasn’t happy with it till I’m kept putting them back to the same color combinations.
Hi Sissie,
If you want consistency in your work, seek to develop voice, or want to sell your art, having work that looks similar to one another is not a bad thing.
At the same point in time, allow yourself some flexibility! You don’t have to copy every step. The example I use has the same theme but different compositions. How else might you mix things up to give yourself some variety?
Warmly,
Carrie
Just read this and it settles my mind somewhat. Been batching for years and it is when I do my best work, learn the most, and have the most interesting conversations with āobserversā. Love your take and agree 100%. Thank you and kudos.
Thank you for reading and sharing š
This was strangely exactly what I needed to find in my inbox and read today, thank you! I am a recovering perfectionist and professional procrastinator, this combination makes it difficult to actually start one painting – somehow the idea of doing 3 feels easier, more liberating, less like I need to have everything ‘just so’ – I can easily do 3 backgrounds then the thought that I have 3 chances to get one ‘right’ is somehow reassuring too Hopefully because there will be 3 they will look better together too as there is something pleasing about looking at a coordinating set! Excited to paint today, I’m going to do it now, thank you!!
Oh Jayne that’s awesome to hear. I hope you’ll come back here and let us know how it goes. From one recovering perfectionist to another: I’m cheering you on <3
I have never really batched my paintings on purpose before, but today I realize that I have space in the new house to lay out three paintings/easels. I usually paint away from home, which means I carry my easel/paint box and one canvas or canvas board.
Today I laid out three 2 x 3 canvases and do them all layer by layer. They all look rather similar because I didnāt swap out paint or clean the paint brushes between but I am pretty satisfied with getting three done instead of my usual one.
Sometimes working with the same colors and scenery can also teach us more about what we observe than only one. And should you wish to share your work with others, either as gifts or for purchase, if people particularly like one kind of imagery, this makes it easier to share many on that same theme.
I love batching… being reasonably prolific it really helps move things along especially if using oils as there is always something drying while I work on the next one. It also gives me the consistency of colour so having to remix paint to perfection is rarely an issue. They don’t always end up being themed but often I do at least two in a similar style as I think that presents nicely as a possible pair in exhibitions.
Yes! This is so helpful for media like oils or watercolors that require some pauses between layers. Great share! Thank you for taking the time to share here š
Iād not thought of labelling the art I do as batching. I do batches constantly as I love printing with gel plate or stencilling. I usually are at least half a dozen with similar topics then paint or draw in extra detail. I make my own Christmas cards this way. I donāt sell my art. Instead I give it away. I make my own stencils. Inspiration comes from nature.
I can see gelli printing and stenciling naturally suit batching! Thanks for sharing Audrey š
Thank you for this interesting and inspiring video. Iāve been painting for a very long time now, but never really considered myself an artist; even though many people have long since thought of me as such, I donāt know where this lack of confidence comes from probably because I didnāt go to school.
Interestingly, I did have a Solo art exhibition at a gallery in Honolulu, Hawaii that was based on batching: my husband and I necessarily been separated by a work commitments, some of which kept us apart for several months at a time.
I painted an envelope every day with a card inside to demonstrate my love for him. Turned out that there were hundreds of envelopes (over time) that were seen by an art gallery owner who thought it was an interesting and unique way to paint on an unconventional material. The show was called āGoing Postalā – one artistās journey through the mail.
I even had a visit from the Postmaster General from the General Post Office in Honolulu. He came to visit at the place I was staying, stating my envelopes, while needing mailing, passed through the hands of entire post office because people were so pleased and fond of my work!
I have long wanted a coach, not a teacher, a coach and Iām glad I have found you. I hope this becomes a wonderful opportunity and relationship.
Thank you! Hugs ā¦
Marlene, what a lovely and kind comment to wake up to today! I love hearing your story and that series of artworks on envelopes sounds amazing. I love that you were recognized for your creativity and have a show to celebrate your work. I hope you find the content here helpful and inspiring. And if you have any questions pop me an email carrie@artiststrong.com